CHRISTOPHER KÖLLER
ISBN: 978-0-9579553-9-4
Christopher Köller’s photographs of gardens in Parádeisos don’t strive for the ‘ideal’ view, but for a view that is different, unexpectedly beautiful or jarring. The blurred edges of plants and buildings bleed into one another and generate a sense of restless movement, a feeling that we can’t quite focus on any one point – as though we were moving though the landscape of a dream.
Produced between 1997 and 2009, the scope of Parádeisos is vast, taking us from Zen gardens in Kyoto to a roadside in West Hollywood, from Marie Antoinette’s simulations of peasant life in Versailles to the grounds of the Heide Museum of Modern Art in Melbourne.
Gardens always embody a tension between order and unpredictability as planned designs are subject to the random workings of the natural world. Christopher Köller’s choice of equipment – a cheap plastic camera – doubles this. The photographer’s control of the photograph is in constant play with the unpredictable effects of the camera and its distortions. Köller delights in the camera’s ‘mistakes’: its limited focus, unexpected bursts of colour, and tendency to reveal artefacts of the negative. In Parádeisos, these camera-effects blend with the gardens, and with the tension and play that we find in the combination of careful organisation with unruly nature.
Published by M.33, Melbourne, 2011
96 pages
295 x 255mm
With an essay by Katrina Grant, Art Historian, Melbourne
Edited by Helen Frajman
Designed By Rebecca Jeffrey
Soft Cover: $50 (+gst within Australia)
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